How To Use Black music In A Sentence
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Critics claim he exploited black musicians for personal gain.
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Imagine my anxiety when Roger riffed today about the history of black music.
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To mark the occasion the network will be broadcasting live from across the country bringing listeners the best in new black music from the hottest venues nationwide from eleven at night until six in the morning.
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As the 70s dawned, mainstream black music made those sentiments explicit.
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Critics claim he exploited black musicians for personal gain.
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In taut, unrhymed triplets Pavlic demonstrates his deep appreciation for and understanding of the Black music continuum.
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It is the concrete thread of black culture that welds the book together with numerous references to black musical heroes, to the Orishas, grandmothers and the many characters and players in a Culture that sustains us.
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There were still no stations aimed exclusively at blacks and no stations that specialized in forms of black music besides swing.
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From the ‘sorrow songs’ to ragtime to the spirituals and the blues to jazz and gospel, black music has provided for the African American writer a springboard into culture and the contemporary experience.
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One of the first, Songs of Zion was published by the United Methodist Church and contains a history of black music in addition to hymns, spirituals and gospel songs.
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Swirling beneath the seemingly simple storylines of the black musicals Krasner discusses are complex countercurrents of resistance.
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Mexican music - norteño, ranchero - is poised to cross over, as black music did in the 1950s.
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Critics claim he exploited black musicians for personal gain.
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Originally of the hard bop school, Ayers embraced the strains of black music coming from the radio, incorporating more R&B smoothness and disco push into his jazz-based playing.
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Critics claim he exploited black musicians for personal gain.
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It is sometimes a question of style - think of the ‘technical’ innovations of black music, or the empathic and connective revolt of the ‘movement of movements’ against capitalism.
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He listens to black music while she listens to different kinds of music, but no techno.
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The insulting minstrel shows stole black music because there wasn't anything as interesting to poach from the white musical tradition.
"Showtime," Larry Stempel's history of Broadway musicals, reviewed by Lloyd Rose
