How To Use Cudbear In A Sentence
-
Specimens of varieties of the lichens used in the manufacture of cudbear, orchil and litmus, and of the substance obtained, were also shown in the British department, which were awarded prize medals.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
Various species of _Lecanora_, particularly _L. tartarea_, known as cudbear, are used in dyeing woollen yarn.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
If a wine colored with archil and one colored with cudbear are treated treated according to Romei's method, the former gives, with basic lead acetate, a blue, and the latter a fine violet precipitate.
Scientific American Supplement, No. 385, May 19, 1883
-
In 1758, Cuthbert Gordon received a British patent for a substance he called cudbear, the result of a new processing method he developed for the traditional dyestuff orchil.
The Creation of Color in Eighteenth-Century Europe
-
Their utility in the arts, and especially in dyeing -- including the collection of a series of the commercial dye lichens, _i. e._, those used by the manufacturers of London, &c., in the making of orchil, cudbear, litmus, and other lichen dyes.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
If the red color is due to magenta, it is destroyed by both these reagents, while hydrocholoric acid does not decolorize the solutions of archil and cudbear, and ammonia turns their red color to a purple violet.
Scientific American Supplement, No. 385, May 19, 1883
-
One pound of cudbear will dye three pounds of wool a good pompadour, and nine pound does the same to twenty seven yards of superfine cloth.
The Creation of Color in Eighteenth-Century Europe
-
If the red color is due to magenta, it is destroyed by both these reagents, while hydrocholoric acid does not decolorize the solutions of archil and cudbear, and ammonia turns their red color to a purple violet.
Scientific American Supplement, No. 385, May 19, 1883
-
-- Mordant by boiling with 4 lb. alum and 1 lb. argol, then dye with 6 lb. logwood, 6 oz. cudbear and 3 oz. indigo extract.
The Dyeing of Woollen Fabrics
-
If the wine is examined according to the Falieres-Ritter method in presence of magenta, ether, when shaken up with the wine, previously rendered ammoniacal, remains colorless, while if archil or cudbear is present the ether is colored red.
Scientific American Supplement, No. 385, May 19, 1883
-
His technique improved the stability of the popular but fragile violets and purples this lichen produced. 1 Gordon, who was a merchant, and his brother, a coppersmith, formed a partnership to sell cudbear, supplying printers and dyers throughout Britain.
The Creation of Color in Eighteenth-Century Europe
-
In 1758, Cuthbert Gordon received a British patent for a substance he called cudbear, the result of a new processing method he developed for the traditional dyestuff orchil.
The Creation of Color in Eighteenth-Century Europe
-
Photo editing online cyberspace forecast, tussore cymling indigirka, derived acanthisitta cybercafe contentedness, veal seahorse petauristidae, jelq, drumhead, cudbear, all of cicada to nelumbo your jackstraws leastwise.
Rational Review
-
Pliny, down to the present day, sketching briefly the ancient end modern history of orchil, cudbear, and litmus, and specifying the native use of lichen-dyes in different, countries of Europe, Asia, and America.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
Page 132 or unburnt bricks, paving and roofing tiles, gas retorts, and roofing slates; coal, coke, and culm of coal; cochineal; cocoa nuts, cocoa and cocoa shells; coculus indicus; coir yarn; codilla, or tow of hemp or flax; cowhage down; cream of tartar; cudbear.
The Statutes at Large of the Provisional Government of the Confederate States of America, from the Institution of the Government, February 8, 1861, to its Termination, February 18, 1862, Inclusive. Arranged in Chronological Order. Together with the Consti
-
In 1758, Cuthbert Gordon received a British patent for a substance he called cudbear, the result of a new processing method he developed for the traditional dyestuff orchil.
The Creation of Color in Eighteenth-Century Europe
-
Commonest of such crottles was Lecanora tartarea, better known as Cudbear.
-
His technique improved the stability of the popular but fragile violets and purples this lichen produced. 1 Gordon, who was a merchant, and his brother, a coppersmith, formed a partnership to sell cudbear, supplying printers and dyers throughout Britain.
The Creation of Color in Eighteenth-Century Europe
-
Their utility in the arts, and especially in dyeing -- including the collection of a series of the commercial dye lichens, _i. e._, those used by the manufacturers of London, &c., in the making of orchil, cudbear, litmus, and other lichen dyes.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
I found no less than three yielded beautiful purple-red colors, apparently as fine as orchil or cudbear, while the others furnished rich and dark tints of brownish-red, brown and olive-green.
The Commercial Products of the Vegetable Kingdom Considered in Their Various Uses to Man and in Their Relation to the Arts and Manufactures; Forming a Practical Treatise & Handbook of Reference for the Colonist, Manufacturer, Merchant, and Consumer, o
-
Cuthbert Gordon credits the development of cudbear in this way; he claimed to find a plentiful source for a certain lichen and, knowing that the purple colors it made are easily destroyed by light, set himself to find a stabilization method. reference Similarly, Jean-Baptiste Pont's descriptions of his inspiration for finding a more efficient dye extraction process was, he claimed, based on knowledge of the high cost of cochineal. reference Other petitions — Johann Carl Barth's for a privilege in Saxony to produce a blue dye from lacmus, for instance — do not mention the discovery process at all but concentrate instead on the economic advantage of the production method and the deliberation that its reworking demanded. 2
The Creation of Color in Eighteenth-Century Europe
-
Archil may be regarded as the English, cudbear as the Scotch, and litmus as the Dutch name for one and the same substance, extracted from several species of lichens by various processes.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
-
If the red color of the wool is due to archil or cudbear, it is extracted by hydrochloric acid, which is colored red.
Scientific American Supplement, No. 385, May 19, 1883
-
Cuthbert Gordon's petition to the Society of Artsincluded seventy-eight different samples of colors made from his discovery, cudbear, and he noted that certain quantities of this coloring material would make pompadour color. reference As a name for a color, pompadour first appeared in England in the mid 1750s.
The Creation of Color in Eighteenth-Century Europe
-
This strategy parallels our understanding of the production of colors in the workshop, where access to materials and skills lead to results with specific qualities — cudbear, for example, or Viquesnel's carmine, or the Spanish yellow the London colormaking firm Louis Berger made exclusively for the London-based artist's colorman James Newman. 9 This strategy recognizes the skill of the artisan as well.
The Creation of Color in Eighteenth-Century Europe
