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How To Use Iambus In A Sentence

  • Herondas too, the author of mimes written in choliambs (‘limping iambics’), a metre typical of the archaic iambist Hipponax, dedicates an apologetic-programmatic poem, Mimiambus 8, to the defence of his poetics.
  • This influence of the chief accent affects also combinations of two monosyllabic words which make an iambus, and combinations like _ego illi_, _age ergo_, in which the second syllable of the second word is elided. The Student's Companion to Latin Authors
  • But by virtue of the last principle — the retardation of acceleration of time — we have the proceleusmatic foot u u u u, and the _dispondæus_ ----, not to mention the _choriambus_, the ionics, pæons, and epitrites. Shakespeare, Ben Jonson, Beaumont and Fletcher
  • Occasionally the term choriambus is used of English verses - a foot made up of two light syllables between two stressed ones.
  • As has already been said, the iambus is the common foot of English verse. English: Composition and Literature
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  • They consist of a collection of seventeen poems in different versions of the iambus, the metre traditionally associated with lampoon.
  • In order to deal with English verse, you need to talk about only five feet: the iambus, the trochee, the anapaest, the dactyl, and the spondee. The Strange Case of Pushkin and Nabokov
  • In order to deal with English verse, you need to talk about only five feet: the iambus, the trochee, the anapaest, the dactyl, and the spondee. The Strange Case of Pushkin and Nabokov
  • The metre throughout is iambic tetrameter, alternating with trimeter - in other words, lines of four iambuses alternate with lines of three.
  • But by virtue of the last principle — the retardation of acceleration of time — we have the proceleusmatic foot u u u u, and the _dispondæus_ ----, not to mention the _choriambus_, the ionics, pæons, and epitrites. Shakespeare, Ben Jonson, Beaumont and Fletcher
  • Fanniae of our day to talk of varying the trochee with the iambus, or of resolving either into the tribrach. Famous Reviews
  • Of the five kinds of feet illustrated here, the iambus is by far the most often used in English verse; the spondee is the rarest.
  • The aural effect, then, is that the second and last feet are always heard as true iambuses, while the first and/or third may be spondees.
  • Only we must be careful that by "iambus," in English poetry, we _meant_ an unstressed syllable, rather than a short syllable followed by a long one. A Study of Poetry
  • /'And YET' /is a complete 'iambus'; but 'anyet' is, like 'spirit', a dibrach u u, trocheized, however, by the 'arsis' or first accent damping, though not extinguishing, the second. Literary Remains, Volume 2
  • Thus, the three words marked above make a _choriambus_ -- u u, or perhaps a _pæon primus_ - u u u; a dactyl, by virtue of comic rapidity, being only equal to an iambus when distinctly pronounced. Shakespeare, Ben Jonson, Beaumont and Fletcher
  • It is well known that, from earliest times, iambus seems to designate iambic trimeters and trochaic tetrameters (including their choliambic variants, and with the subsequent addition of the epodes and the asynarteta).
  • It is a decasyllabic line, with a trochee substituted for an iambus in the third foot — Around: me gleamed: many a: bright se: pulchre. The Complete Poetical Works of Percy Bysshe Shelley
  • Thus the three words marked above make a 'choriambus' -- u u Literary Remains, Volume 2
  • Or young Apollo's; and yet, after this, &c. '/They would HAzard/' [1] -- furnishes an anapæst for an 'iambus'. Literary Remains, Volume 2
  • For example, an iamb / iambus or iambic foot is represented by an unaccented syllable followed by an accented one.
  • And yet the first makes a _iambus_, and the second a _trocheus_ ech sillable retayning still his former quantities. The Arte of English Poesie
  • That verse wherein the accent is on the even syllables may be called even or parisyllabic verse, and corresponds with what has been called iambic verse; retaining the term iambus for the name of the foot we shall thereby mean an unaccented and an accented syllable. Miscellany
  • He could make Greek iambics, and doubted whether the bishop knew the difference between an iambus and a trochee. The Last Chronicle of Barset
  • That verse wherein the accent is on the even syllables may be called even or parisyllabic verse, and corresponds with what has been called iambic verse; retaining the term iambus for the name of the foot we shall thereby mean an unaccented and an accented syllable. Miscellany
  • Each pàda may be divided into three feet, the second always consisting of a choriambus, and the third of two iambics; while the first foot in the first pàda consists of a pyrrhic, in the second pàda of an anap æ st.

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