How To Use Jump cut In A Sentence
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These audio jump cuts and sudden changes in ambience were also reflected in the music, as doo-wop, pop songs, political commentary, fuzz guitar rock and cocktail jazz all piled up on each other.
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Jump cuts of memory without cause and effect, event and consequence, incident and emotion.
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Jump cuts of memory without cause and effect, event and consequence, incident and emotion.
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His editing is edgy, often favoring jump cuts and non-chronological constructions of scenes, for example intercutting glimpses of a fight with the conversation that preceded it.
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I started watching that and woke up on the floor foaming from the mouth … Got enough jump cuts?
MOY NAME EES CHEV CHELIOS…
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Multiple exposures, jump cuts, slow-motion, negative film sequences, superimposition, freeze-frame and angled cameras are just a few of the cinematic effects utilised by Deren.
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No interview can proceed without hyperactive jump cuts to tangentially relevant footage or airplanes, cars or food.
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If so, they rarely show it, although a few jump cuts in the sequences with Amin hint at possible difficulties.
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It's also full of jump cuts and other annoying stylistic devices.
Times, Sunday Times
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He lassoes one and we jump cut to Smith at night with a fire that has something cooking on a spit.
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In more recent works that use juxtaposed panels to create a fiat, multipartite surface, any narrative possibility has been superseded by a more complex play of continuity and jump cuts.
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Peter and Vandy is another low-budget two-hander that explores the ups and downs of a modern relationship using jump cuts, nonlinear plot mechanics and elliptical storytelling techniques that only succeed in keeping the couple in the title removed, at an annoying distance, from audience interest.
Mixed-Up Love
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It's also full of jump cuts and other annoying stylistic devices.
Times, Sunday Times
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No doubt I was learning the ropes, getting a feel of what it was like to realize the true essence of my life: a non-stop cavalcade of fragmentary jump cuts set to a detuned mandolin.
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The narrative fabric of the latest cult movie is woven through with jump cuts, freeze-frames, montage, slow motion shots, tracking shots, hand-held camera techniques, and the like.
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Shot in grainy black and white on a handheld camera and peppered with confrontational jump cuts, Godard's movie epitomised the cool iconoclasm of the New Wave.
