How To Use Prussian blue In A Sentence
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“As to the proofs in gallate (or tannate) of iron, they can be transformed into Prussian blue in a solution of potassium ferrocyanide (yellow prussiate of potash) slightly acidified by sulphuric acid.”
Photographic Reproduction Processes
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Washing in water fixes the image in a bright ‘Prussian blue’ or cyan tone.
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The choice of coloring materials was as critical here as it was in creating any other kind of color diagram: reference Le Blon recommended the use of a red lake made from cochineal or brazilwood, Prussian blue reference, and yellow berries (stil de grain), but the quality of the coloring materials was as important as their sources. 16 Black was made by combining the three colors and the paper support provided white.
The Creation of Color in Eighteenth-Century Europe
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Now and then a pair of lobsters, plated in Prussian blue, jousted in their underwater dungeon.
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They are small in scale and feature extensive use of gold and brilliant, rich and sparkling colors like ultramarine, Prussian blue, indigo, violet, purple, carmine and tangerine.
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The categorization of Prussian blue as animal is a measure of the tenacity of this ordering system, persisting even after it was clear that a similar result could be obtained from other, nonanimal sources. 4
The Creation of Color in Eighteenth-Century Europe
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Among the semi-stable, must be classed cyanine or Leitch's blue, smalt, and Prussian blue.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
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Another method is by first painting the article, after it has been rendered nonabsorbent, of a dark color made of Prussian blue, yellow ochre, and verditer, ground in oil.
The Ladies Book of Useful Information Compiled from many sources
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Hence the peculiar properties of cyanine remain unchanged only so long as the Prussian blue itself, the pigment losing its colour by degrees on exposure to air and light, and gradually assuming the tint of the paler but more permanent cobalt.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
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Authorities state that these may be formed from bright Prussian blue or verditer glazed over with Prussian blue or of smalt.
Handbook on Japanning: 2nd Edition For Ironware, Tinware, Wood, Etc. With Sections on Tinplating and Galvanizing
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Gmelin states that yellow prussiate of potash yields with a solution of oxalate of sesquioxide of cobalt a blue resembling Prussian blue -- that, in fact, there can be obtained a Prussian blue with a base of cobalt instead of iron.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
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In another plaque, Prussian blue pigment, meant to replicate copper corrosion, obscures much of the surface.
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Pierre-Joseph Macquer adapted Prussian blue pigment to textile uses by 1749 and his technique was published by the Paris Academy of Sciences three years later. 19 reference But it does not appear in any eighteenth-century dictionary or encyclopedia as dyestuff even when detailed descriptions of the painters 'color are featured in entries on "blue.
The Creation of Color in Eighteenth-Century Europe
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In the 18th century the newly invented pigment Prussian blue offered an alternative to blue verditer.
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Furniture was purchased in Philadelphia, and the rooms were painted and papered in stylish bright colors such as Prussian blue, crimson, salmon, and yellow ochre.
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However that may be, in these days both names signify cobalt compounds, coeruleum being a stannate of cobalt, and cyanine a mixture of cobalt and Prussian blue.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
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If yellow hexacyanoferrate (II) is mixed with Fe (III) chloride in aqueous solution, 'Prussian blue' is formed.
The Nobel Prize in Chemistry 1992
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Pigments used included Prussian blue, first synthesized in 1704, and synthetic anatase (titanium dioxide), first created as pure white in 1923.
Pigment Microscopy
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Prussian blue possibly a genuine Prussian blue toned down to a sky blue with white lead is meant, and by verditer the variety known as refiners 'blue verditer, and as to smalt it must not be forgotten that it changes its colour in artificial light.
Handbook on Japanning: 2nd Edition For Ironware, Tinware, Wood, Etc. With Sections on Tinplating and Galvanizing
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By that time also artificial blues had been discovered, smalt or cobalt blue which is cobalt aluminate in the 17th century, and then the famous Prussian blue, in 1704.
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There is considerable overpainting at the left edge, perhaps due to a formulation of Prussian blue that was not light-fast or to a color change caused by the mixture of Prussian blue with lead white.
The Creation of Color in Eighteenth-Century Europe
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The chemical bonds in Prussian blue produce a unique spectrum with FTIR analysis that can be easily distinguished from all other pigments.
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Her tones were rich but muted, especially a satin of Prussian blue, while she added brilliance to chic black evening gowns with splashes of fuchsia insets or beadwork.
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The models were built with consummate skill, and created a fabulous confection of boxwood, brass, bone, ebony, gold leaf and painted details in the typical naval colours of Prussian blue and Venetian red.
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According to Bouvier, a colour similar to that of bistre, and rivalling asphaltum in transparency, is produced by partially charring a moderately dark Prussian blue; neither one too intense, which gives a heavy and opaque brownish-red, nor one too aluminous and bright, which yields a feeble and yellowish tint.
Field's Chromatography or Treatise on Colours and Pigments as Used by Artists
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The ferrocyanide reacts with ferric ion to produce a blue color via the Prussian blue indicator, with the intensity of the color being proportional to the glucose concentration in the sample.
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As a product of the chemical laboratory, purple of Cassius, like Prussian blue, inspired interest and continued exploration. reference Yellow obtained from silver may have been one complementary technique; instructions that call for a solution of silver in aqua fortis, also precipitated in water, appear in a number of manuscripts and were published in several eighteenth-century chemical and general treatises. 10 reference
The Creation of Color in Eighteenth-Century Europe
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Fortunately for the tea drinkers of Britain, Prussian blue is a complex molecule, so it is almost impossible to release the cyanide ion from it and the poison passes harmlessly through the body.
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The technique, attributed to Cornelis Drebbel, used a tin mordant to brighten the color produced by cochineal. 11 The discovery, as reported in the eighteenth century, was a fortuitous accident similar to that of Prussian blue; fortunate in that the discovery happened to someone able to recognize and exploit it. reference Drebbel, it was said, accidentally broke a container of tin-infused aqua regia over a container of the cochineal extract used in making thermometers.
The Creation of Color in Eighteenth-Century Europe
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It was McCrone that determined that stains on the Shroud of Turin were actually made of red ocher and vermilion tempera paint, and that a manuscript of the Gospel of Mark believed to be from the 14th century contained Prussian blue paint, as well as the chemical lithopone, which dated the manuscript to the 18th century at the earliest.
The Frida Fighters
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They are small in scale and feature extensive use of gold and brilliant, rich and sparkling colors like ultramarine, Prussian blue, indigo, violet, purple, carmine and tangerine.
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A Recipe for Making Printers 'Inks. -- For black ink: Take of balsam of copaiba (pure), 9 ounces; lamp black, 3 ounces; indigo and Prussian blue, of each half an ounce; Indian red, 3/4 ounce; yellow soap (dry),
Burroughs' Encyclopaedia of Astounding Facts and Useful Information, 1889
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Of these, lead white, red ochre, red lake, orpiment and Prussian blue do not appear in the 1892 list; but all these pigments have been found elsewhere in Watts's oeuvre.
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The two paint boxes were found to contain Prussian blue, chrome yellow, vermilion (a red mercury sulfide pigment), and red earth.
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Indigo was also a significant earner of Chinese silver, but its replacement by synthetic Prussian blue brought the indigo business to a disastrous end.
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Sigrid Holmwood - The Last Peasant-Painters Peeling Potatoes (Old Woman Mill) 2007, Fluorescent orange egg tempera; lead white, Prussian blue, Chrome yellow light, lead antimonate, Bohemian green earth, Spanish glazing ochre; iron oxide in soured milk; birch leaf lake in pine resin on board, Saatchi Gallery
Spread ArtCulture: Exhibition Highlights: 'Newspeak' -- Show of New British Art at the Saatchi Gallery
