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How To Use Serialism In A Sentence

  • Even in the atonal phase, before he adopted serialism, he presented obstacles for his listeners.
  • Thus the rigorous intellectualism of serialism and the freedom of aleatoric processes are not paradoxical, but stem from the same mindset.
  • The conclusion this dissertation has reached is that Stockhausen never in his creative career abandoned serialism, largely due to his ideas about music.
  • Minimalist music developed in the U.S. during the 1960s as an alternative to the complexities of academic serialism on the one hand, and "chance" music on the other. P
  • At the same time he was rapidly developing his musical style on the basis of Schoenberg's serialism, the rhythmic methods of Stravinsky and Messiaen, and Webern's tightly integrated approach to composition.
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  • The emphasis is on Webern's influence in America — serialism, pointillism, miniaturism. Archive 2006-11-01
  • The opening of the Sonata's first movement, for example, blends serialism and passacaglia in a way prefigured in the opera's final scene.
  • This work, written in 1975, is closely derived from the slow movement of Rochberg's Third String Quartet - an important signpost in the composer's movement away from serialism.
  • He had bequeathed an enormous legacy, and had cast a great influence over 20th century music, with many composers having at least experimented with note rows and serialism even if they were not totally immersed in these techniques.
  • And as an artist he was unclassifiable: one moment there would be traces of serialism, the next a frivilous meoldy. Times, Sunday Times
  • Comments: closely linked to the development of serialism, can be difficult to interpret conceptually.
  • The only serious study I know of the anthropology of serialism in post-WWII American academia is by Joseph Straus, who concluded that any claim of serialist hegemony was, at best, rather exaggerated. Everything's got a moral, if only you can find it
  • His first major piece written in dodecaphonic serialism, it definitely falls under the category of Hard.
  • But there's something else in early Reich, Glass and Riley, too – an insistence on returning music to the roots that all three composers felt European modernisms, such as serialism, had left behind: melody, modality and rhythm. Minimalism at 50: how less became more
  • Many of Spicer's poems manifest a doubling effect, where serialism becomes a structure for the poem. Quaytman Explores Terrain Between Text and Image in New SFMOMA Show
  • Hardly a week goes by that I don't see another variation on the "serialism is to blame for classical's marginalization" trope, but I could just as easily argue that said marginalization correlates nicely with both the abandonment of experimental modernism and the domestication of radical minimalism. Everything's got a moral, if only you can find it
  • Schoenberg got it right: serialism is the result of a neo-Classical impulse, not a Romantic one. Naming of Parts
  • The result of this search for a new system was called serialism, or 12-tone composition. was redefining the profile of French music, with a style that transferred the ideals of opera Pelléas and Mélisande was first performed in Conservapedia - Recent changes [en]
  • These composers returned to Korea with contemporary Western compositional styles, techniques including serialism and genres including electronic and computer music.
  • Composed in the late 1930s – with one ear directed toward the rise of fascism, and the other turned to the conservative critics complaining about his progressive, atonal style – the work combines elements of 12-tone serialism, nostalgic lyricism and folk dance, all couched in the swashbuckling rhetoric of the Romantic concerto. Ehnes/LSO/Noseda - review
  • Even though there were people like Berio and Crumb, most of the teaching was slanted toward Schoenberg, and atonalism and serialism, etc. Opera Today
  • Although he was greatly influenced by his teacher's 12-note method he adopted a freer version of serialism, and some of his techniques deviate from Schoenberg's principles.
  • The unravelling of these very complex strands, and relating them specifically to musical serialism, is one of the major strengths of the book.

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