How To Use Seurat In A Sentence
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The sheer size of both works easily reveals each grain of color within the picture plane so that they appear as contemporary reflections of the pointillist style of Georges Seurat.
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It will be recalled that Seurat was a pointillist who filled his canvas with dots.
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Georges Seurat: The Drawings is the first exhibition in almost 25 years to focus exclusively on the artist's luminous drawings.
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Not everything here is tumescent: Théo van Rysselberghe's seascape "Big Clouds" (1893) is a bit of Seurat pointillism on the Danube, and in Klimt's "Forester House in Weissenbach on the Attersee" (1912), the open casements are painted with Van Gogh's flamelike passion.
Modernism's Austrian Rebels
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At the Met, Paul Signac and his luminous seascapes emerge from Seurat's shadow.
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Seurat culminated pointillism
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It is for this reason that Seurat, along with Cézanne, stands as the great renovator at the headstream of modern painting.
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As the foreword to the exhibition's catalogue notes, Signac has always existed in the shadow of the more famous pointillist, Georges Seurat.
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After introducing Georges Seurat and pointillism, line desks with newspaper.
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Seurat's works in the Milwaukee exhibition include an unusual polychromatic drawing, "The Meadow," on loan from the Guggenheim.
When Impressionists Played With Pastels
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Not everything here is tumescent: Théo van Rysselberghe's seascape "Big Clouds" (1893) is a bit of Seurat pointillism on the Danube, and in Klimt's "Forester House in Weissenbach on the Attersee" (1912), the open casements are painted with Van Gogh's flamelike passion.
Modernism's Austrian Rebels
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In 1881, Seurat copied the outline of yet another and made a careful list of its pigments.
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Seurat's 'Une Baignade' is a well-known Pointillist painting.
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Consequently Seurat did not mix the colors on his palette, but rather put little tiny spots of complementary color pigments on the canvas.
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Seurat's 'Une Baignade' is a well-known Pointillist painting.
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The notes that the artist has provided beside the five pictures she has chosen — Mantegna ' s " Introduction of the Cult of Cybele to Rome " and Raphael ' s " Saint Catherine of Alexandria, " both painted in the first decade of the 16th century, and three studies by the pointilliste Seurat for his painting " The Bathers at Asni è res " — provide an excellent account of what to notice about their composition.
The Beauty of Geometry
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Villa, in short, puts forward an argument for his own artistry, comparing his work to Seurat's pointillism.
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The actual art-historical purpose of this show is to help Signac escape from the shadow of Georges Seurat, the master theorist of pointillism, or divisionism.
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And think of DanSi seurat balaam, and feel very sensible, finally couldn't help start to get to participate in the wedding.
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From inside, the Venissieux townscape becomes a Pointillist backdrop - Paul Signac rather than Georges Seurat.
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Seurat's theory of optical mixtures, which he called divisionism, influenced Signac, and the style eventually became known as pointillism.
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In this large canvas: Seurat varied the method considerably.
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Seurat's theory of optical mixtures, which he called divisionism, influenced Signac, and the style eventually became known as pointillism.
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Seurat proposed making art based upon a scientific understanding of optics and color.
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In this large canvas: Seurat varied the method considerably.
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His starting-point was the Neo-Impressionism of Georges Seurat, but instead of using Seurat's pointillist technique he investigated the interaction of large areas of contrasting colours.
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Seurat and Signac were two of the most famous Pointillists.
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Camille Pissarro cheerfully flirted a little with the style of every fellow-artist he met, from the realism of Millet to the pointillism of Seurat.
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Or the Sea Piece in the James Orrock collection -- a welter of crosshatchings in variegated hues wherein any school of impressionism from Watteau's Embarkment to Monet's latest manner or the _pointillisme_ of Signac and Seurat may be recognised.
Promenades of an Impressionist
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The actual art-historical purpose of this show is to help Signac escape from the shadow of Georges Seurat, the master theorist of pointillism, or divisionism - the theory upon which Signac founded his own work.
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The provisional Seurat Drawing #1 is all but unrecognizable, the most familiar figures eclipsed by a frenzy of gouache and graphite, ink crosshatching and a rapid, agitated line.
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The comparison with Seurat's Grande Jatte, intended to aggrandize Signac's work, has the opposite effect.
