How To Use Sondheim In A Sentence
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I would have been very sorry indeed to have missed the latest reincarnation of the Stephen Sondheim musical Follies.
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Sondheim's book traces the changing nature of the relationship between men and women.
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Classics, the label dedicated to the heritage of Broadway and American popular song, recorded the original Broadway cast album of SONDHEIM ON SONDHEIM on June 6th and 7th.
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With a new book by Hugh Wheeler, added lyrics by Stephen Sondheim and arena-style staging by Hal Prince, "Candide" finally gained popular success-though lost in the circuslike goings-on were the glitter of the music and almost any shred of seriousness.
The Garden Grows
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Passion, Sondheim's most operatic work, continues to baffle the ear and bemuse the mind.
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That's the phenomenon that sociologists call the medicalization of deviance and that Steven Sondheim described crisply in "Gee, Officer Krupke," I'm depraved on account of I'm deprived.
Madoff: A Scoundrel Or A Sociopath?
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Sondheim questioned if he should write only the lyrics for yet another show, but his mentor Oscar Hammerstein told him it would be valuable experience to write for a star.
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Murray - announced that they were going to flesh out the original by changing dialogue, adding back stories, and having a new, more upbeat ending, Stephen Sondheim got so angry he wrote to the New York Times attacking what he called willful ignorance and arrogance.
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Her phrasing and performance of the lyrics here, not just by Sondheim but also by some of the seminal rhymesters of the stage is remarkable.
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It follows last season's sudden disappearance of Stephen Sondheim 's " Bounce.
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I wish the orchestra had been miked with more presence—it sounds a bit dull—but otherwise the production is musically impeccable, which is no small achievement given the complexities of Mr. Sondheim's score.
When Faith Draws Blood
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Mr. SONDHEIM: Well, first of all, attend is an old fashioned word, so right away you know you're not in the 20th century.
Look, He Made A Hat: Sondheim Talks Sondheim
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Sondheim found a mentor, if not a father figure, in Hammerstein, Patinkin said.
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Merrick offered a revealing critique of Stephen Sondheim's high-concept Follies, a musical about ageing showgirls in midlife crisis.
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When Stephen Sondheim's Follies arrived in 1971, we critics were pretty obtuse about it.
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As the old strippers in Sondheim's musical Gypsy tell us: ‘you've got to have a gimmick.’
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Mr. SONDHEIM: No, I mean, we knew we were writing for that kind of outsized personality that she's got.
Look, He Made A Hat: Sondheim Talks Sondheim
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The Sondheim revues work as well as they do because so often the songs are inherently dramatic, almost playlets in their own right.
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Even so, this new release is copied from a recently discovered and restored black-and-white print that is infinitely clearer, and better, than that bootleg copy that has been rumored to be circulating among Sondheim fans for years.
'Primrose': 44 Years Later, Still Sharp As Thumbtacks
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Hailed as a prodigy in the US, critics have frothed over her ability to switch from elegant jazz to rap to complex satirical songs worthy of Sondheim.
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She never conveys the emotional pull Sondheim exerts on some of us.
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After so many hits, the law of averages demanded a clinker from the Kennedy Center's Sondheim Celebration, and got it with A Little Night Music.
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Sondheim's book traces the changing nature of the relationship between men and women.
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Sondheim's lyrics are by far his earthiest and most colloquial.
Let This Entertain You: 'Gypsy,' 50 Years Later
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Sondheim's book traces the changing nature of the relationship between men and women.
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Barbara Cook dueted with Mr. Taylor on a Sondheim song from "Sweeney Todd" and Sting sang a rousing "Penny Lane," in tribute to the Beatles, who played there in 1964.
Carnegie Hall's Big Birthday Bash
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The collaboration between Sondheim and Prince would largely end after Merrily.
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The less said about the plot (other than that it involves mysteries on a yacht), the better, but suffice to say, it was written by Tony Perkins and Steven Sondheim (remember, Sondheim is also a damned talented cruciverbalist), and directed by Herbert Ross.
My suggestions never fly
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The longest undertaking is a medley of Sweeney Todd threnodies -- "Not While I'm Around," "Joanna," "My Friends" -- that testifies to Buckley's appreciation for Stephen Sondheim.
David Finkle: First Nighter: Betty Buckley Goes for Men in a Big-Hearted Feinstein's at Loews Regency Way
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She gives us Sondheim the romantic ("Take the Moment"), Sondheim the trickster (his little known Gershwin homage "More"), Sondheim the tragedian ("Loving You") and Sondheim the showman ("Let Me Entertain You").
Dizzy's Welcomes an Old Friend
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This is the second time in 12 months that Sondheim's demon barber has appeared in London.
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The score and the lyrics have something of Sondheim's sophisticated, sceptical humour, and the three actor-singers handle them with agile, self-effacing, sometimes self-mocking skill.
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What we have here is a stunning musical idea with superior vintage Sondheim songs, all in search of a book.
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PS_Classics_SONDHEIM_ON_SONDHEIM_20010101 As BroadwayWorld previously reported, PS Classics, the label dedicated to the heritage of Broadway and American popular song, recorded the original Broadway cast album of SONDHEIM ON SONDHEIM on June 6th and 7th.
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He writes musicals but, alongside Albee and Mamet, Sondheim is a game-changing dramatist.
Finishing the Hat: The Collected Lyrics of Stephen Sondheim by Stephen Sondheim – review
